- #Tom felton rise of the planet of the apes movie#
- #Tom felton rise of the planet of the apes series#
Its premise is similar to the fourth film in the original series, Conquest of the Planet of the Apes (1972), but it is not a direct remake of that film.
#Tom felton rise of the planet of the apes series#
Written by Rick Jaffa and Amanda Silver, it is 20th Century Fox's reboot of the Planet of the Apes series, intended to act as an origin story for a new series of films. If you want more out of a movie, you’re simply in the wrong time of year.Rise of the Planet of the Apes is a 2011 American science fiction film directed by Rupert Wyatt and starring James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton, David Oyelowo, and Andy Serkis.
It’ll have the saps crying, the stoners laughing and the everyman whooping. If you go in with low expectations, you’ll be pleasantly surprised. If you go in with high expectations, you’ll (depending on the steepness) be appeased. So in its way, “Rise” fulfills its mission. Rodman’s love story with Caroline Aranha (Freida Pinto) is a bit rushed, but satisfying. Caesar’s rise from good pet to revolutionary ape is compelling and, honestly, kind of inspirational. Weta Digital’s CGI apes are sharp and, better yet, not distracting.
#Tom felton rise of the planet of the apes movie#
This movie isn’t for the mind it’s for the eyes. Whereas the first film begged the thought “If we don’t cool it with all this bomb-building, we could really screw ourselves,” “Rise” seems to warn that the animals will rebel if we don’t instate a beast-friendly Habeas Corpus.īut I digress from my own premise. Though Caesar’s ape-liberation movement would be impossible without Rodman’s super drug, the culprit of his dissipation is undoubtedly the Animal Services despot Dodge Landon (played with vintage Draco Malfoyan malice by Tom Felton). The clearest angle seems to be animal rights. If it similarly seeks to prove that man is wrecking himself, it does so in a peculiar manner âÄî Rodman’s desire to save his father from AlzheimerâÄôs is thoughtful if noble. Whereas the ’68 âÄúPlanet of the ApesâÄù was a clear parable for manâÄôs destruction of himself via nuclear warfare, the reboot’s message is a bit cloudier. The film certainly lacks the focus that the Charlton Heston-soaked original harnessed. An incident sends Caesar to Animal Services’ prison, where he starts assembling his ape army. We come to find Franco’s motivation for his work âÄî his father (John Lithgow) has Alzheimer’s disease. The babe inherits his mother’s intelligence and, over the years, his mental capability only increases (DUN DUN DUUN). The drug makes the apes inexplicably intelligent, and after one goes on a mini-rampage, Franco is forced to take in the spaz ape’s baby, who he fittingly names Caesar. Will Rodman (James Franco) is the wunderkind at a major drug company, testing his potential cure for AlzheimerâÄôs on apes (dun dun DUN). This rendering, a reboot of the 1960s/’70s “Planet of the ApesâÄù series, offers an origin story set in modern day San Francisco. It opens tomorrow and it goes by the name of “Rise of the Planet of the Apes.” But, if you’re one who seeks a good new-fashioned CGI slugfest, you’re in luck. If you’re looking for an inward plunge that uncovers the complexity of modern life, your odds are better if you wait a month or two. This time of year, it’s unwise to expect an intellectual exercise at the movies.
STARRING: James Franco, Andy Serkis, John Lithgow and Freida Pinto
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